MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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The sonic heaven of Dalston
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
Anthropology Band
Cafe Oto
★★★★
Paul G Smyth, John Edwards and Mark Sanders
Vortex
★★★★
DALSTON, east London, was the epicentre of free musical marvels last week.
At Cafe Oto the Anthropology Band showed how wondrously electric and acoustic sounds can gel so creatively and with such acerbic unity.
Martin Archer’s searing soprano and guttural tenor saxophone; Pat Thomas’s nonplussing keyboards; the combined electric guitars of Chris Sharkey and Anton Hunter; Dave Sturt’s pulsating bass guitar: Orphy Robinson’s pounding mallets: the cascades of Adam Farclough’s drums and the visceral, breathy vibrato of the trumpet and flugelhorn of Charlotte Keeffe. It was a timbral stew to be earnestly savoured.
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