MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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The Sisters of Mercy, The Roundhouse, London
Curmudgeon-in-chief Andrew Eldritch is as ever the charismatic focus of the goth-rock veterans
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
MASSED crowds, primarily dressed in black, eagerly gather at the Roundhouse for goth-rock pioneers The Sisters of Mercy and the audience’s expectation is testament to the band’s reputation, anthemic back catalogue and the rarity of their live shows.
Centre of attention: Andrew Eldritch Pic: Mendor
This is the first of just two headline gigs in Britain this year and a cheer erupts as the house lights dip, dry ice envelops the stage and the monotonous, repetitive beat of a drum machine booms starkly.
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