Skip to main content
Donate to the 95 years appeal
Requiem for Dublin street traders
EXISTENTIAL THREAT: The closing of marketplaces and the eradication of traditional street traders

OVER the years the Irish Cultural Centre in Hammersmith has presented many films by Ireland’s celebrated, documentary filmmaker Se Merry Doyle.

In this double bill Looking On and Alive Alive O – A Requiem for Dublin it is showing two of his most powerful films, which complement each other. Both focus on the destruction of Dublin’s inner city and the demolition of hundreds of homes and tenement dwellings.

Looking On was Merry Doyle’s first film, made in 1982. Forty years later it still stands as a vital voice for the people of Dublin.

In 2001, he returned to the same subject to make his most personal film to date, Alive Alive O – A Requiem For Dublin — a film which is an invaluable record of working-class Dublin, the destruction of its buildings, its markets and the eradication of its street traders. It’s a masterpiece which gives voice to a vanishing community and depicts a city fighting to retain its soul in the midst of boom-time redevelopment.

Alive Alive O – A Requiem for Dublin chronicles Dublin street traders whose patron saint is Molly Malone of the eponymous song, and who gave us the street call “Cockles and mussels, alive alive O.” 

Through the spirit of Molly Malone the film demonstrates how an extraordinary culture and community has become increasingly fragile, with the closing of marketplaces, the eradication of traditional street traders, the scourge of heroin in a city that has sold its soul.

Shot over many years, the documentary contains rare archive footage which captures the demolition of Dublin’s tenement houses, immortalised in the plays of Sean O’ Casey. The film also includes footage of a young U2 performing on the roof of the community hall in Sheriff Street.

Alive Alive O is a Loopline Film Production, 2001 (58mins) and will be shown at The Irish Cultural Centre, 5 Blacks Road W6 9DT on December 10 2022 at 7pm. Tel 020 8563 8232. Entry £8/for half price tickets use discount code FRIDAY. Se Merry Doyle will be doing a Q&A after the screening, he will be interviewed  by Piers Thompson, founder of Portobello Radio.

Support the Morning Star
You can read five articles for free every month,
but please consider supporting us by becoming a subscriber.
More from this author
abundance
Books / 12 June 2025
12 June 2025

JOHN GREEN isn’t helped by the utopian fantasy of a New York Times bestseller that ignores class struggle and blames the so-called ’progressives’

fall
Book Review / 30 May 2025
30 May 2025

JOHN GREEN wades through a pessimistic prophesy that does not consider the need for radical change in political and social structures

CONTESTED HISTORY: The Neue Wache (“the New Watchhouse”) was rebuilt by the GDR in 1957 and reopened in 1960 as a Memorial to the Victims of Fascism and Militarism — then, in 1993, it was rededicated to the ‘victims of war and tyranny’
Features / 26 May 2025
26 May 2025

JOHN GREEN observes how Berlin’s transformation from socialist aspiration to imperial nostalgia mirrors Germany’s dangerous trajectory under Chancellor Merz — a BlackRock millionaire and anti-communist preparing for a new war with Russia

221
Film of the week / 1 May 2025
1 May 2025

JOHN GREEN recommends a German comedy that celebrates the old GDR values of solidarity, community and a society not dominated by consumerism

Similar stories
Lynne Walsh piece webpic.jpg
Features / 22 April 2025
22 April 2025

LYNNE WALSH previews the Bristol Radical History Conference this weekend

CLAIMING HER PLACE: (L) Maud Sulter, Self-portrait, 2001-2,
Exhibition Review / 10 December 2024
10 December 2024
JOE JACKSON explores how growing up black amid ‘the quiet racism of Scotland’ shaped the art and politics of Maud Sulter
WILL YE STOP OVER-ACTING? Paul Hilton (Joxer Daly) and Mark
Theatre Review / 10 October 2024
10 October 2024
LYNNE WALSH regrets that unity is denied to a fine cast let down by the baffling spectacle of a poor lead performance
(L) The Brutalist, directed by Brady Corbet; (R) Youth Homec
Venice Film Festival 2024 / 9 September 2024
9 September 2024
RITA DI SANTO selects seven of the best films from this year’s line-up to watch for in cinemas