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Riveted by Rego's realm
Visceral, confrontational and emotionally charged, the retrospective of scenarios by the great Portuguese artist transfixes JAN WOOLF
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Paula Rego
Tate Britain, London
FIGURATIVE art has become fashionable again, apparently.
Yet the extraordinary Paula Rego probably couldn’t care less. Pushing on through the fashionable Young British Artists era of the 1980s, she has always drawn and painted what she needed to.
Born in Portugal in 1935, she was brought to England by parents opposed to the fascist Salazar regime — God, Homeland and Family was one of its guiding slogans and the Female Portuguese Youth was set up to train girls for domesticity.
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