Jimmy watches Countdown and tries to ignore his bills, grief, COPD and frailty. Meanwhile, his carer walks a tightrope between kindness and reality
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Rambert Triple Bill, Alhambra Theatre Bradford
Varied dance menu with agreeable aftertaste
JOHN FLINT explores the Appleby Blue development, winner of the Stirling prize 2025
GORDON PARSONS enjoys the wealth of wisdom and the clarity of expression from a dialogue between Chomsky and Mujica
GUILLERMO THOMAS enjoys a survey of the current state of the CIA (aka Langley) from an expert and insider of sorts
MARIA DUARTE, FIONA O CONNOR and JOHN GREEN review The Choral, Belen, Dragonfly, and Colossal Wreck
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival
“It has to be eclectic,” writes Rambert’s artistic director Benoit Swan Pouffer on the creation of this mixed programme.
“It has to feel like a buffet.” He’s achieved that objective with the company’s latest triple bill, which opens with Wayne McGregor’s PreSentient (2002).
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