MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
Patty Griffin, Queen Elizabeth Hall, London
Impressive songs, old and new, from an accomplished interpreter of folk and Americana
Patty Griffin
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
PATTY GRIFFIN is an impressive personality.
Emotional but measured in her musical and vocal criticisms of the contemporary US, she’s thoughtful on any range of subjects, from the post-industrial travails of her home town in Maine to the admission that although she’s always loved Billie Holiday, she’s rarely been able to listen to her music because it ventures into such sad places.
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PETER MASON relishes a legend of Jamaican roots reggae still plying his trade with a large degree of spirit
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco
PETER MASON is surprised by the bleak outlook foreseen for cricket’s future by the cricketers’ bible
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
