MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
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‘May your choices reflect your hopes, not your fears’
The Nelson Mandela statue in Pretoria epitomises the early, but yet to be fulfilled, promise of an all-embracing prosperous ‘Rainbow Nation’
THE REDEEMER: Nelson Mandela statue in Pretoria
[Haruba-bad/Creative Commons]
MARTIN HALL examines the way the Roman orator took on different schools of philosophy
ALEX HALL is amused at the way the UFOs appear exactly where commercial interests, conspiracies, militarism and right-wing media overlap
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
MICHAL BONCZA and MARIA DUARTE review Eagles Of The Republic, The Balloonists, Star Wars: The Mandalorian and Grogu, and Tom Clancy’s Jack Ryan: Ghost War
TOMASZ PIERSCIONEK is intrigued by a the changing significance of its vast areas of forest to Russia’s history
NELSON MANDELA died eight years ago on December 5 2013. This statue of him was unveiled on December 16 — the official Day of Reconciliation — thus ending the 10-day-long period of mourning.
The nine-metre-high bronze figure is the tallest figurative statue of Nelson Mandela and weighs approximately 3.5 tonnes. Its outstretched arms span eight metres and are uncannily reminiscent of Paul Landowski’s 1930 art deco Christ the Redeemer overlooking Rio de Janeiro from the Corcovado mountain peak.
The statue, which emanates warmth, humanity and welcome, was cast in 147 separate pieces at four different foundries before being assembled in Cape Town.
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