JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
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We must not let the ghouls in government take the arts away from us
The Tory slash-and-burn approach to the arts poses deathly threat to some of the most revered institutions in this country
Apartment House, at Cafe Oto, play Femenine by Julius Eastman
[Steve Bowbrick/flickr/CC]
A murderous convention of crime writers, a hymn to nursing, a monster hunt, and robber baron capitalism
MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia
DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
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ON November 4, the Arts Council England announced which arts entities are welcomed to apply to the National Portfolio Organisations (NPO) programme.
For those unfamiliar with arts funding in Britain, or the significance of the NPO programme – the Arts Council England, Arts Council Wales and Creative Scotland have a support structure which grants “deserving” organisations sustained funding for a period of time longer than other funding streams.
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