STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Marxism makes monumental Manchester mark
JOHN GREEN recommends a unique documentary on the timely return of Friedrich Engels to the city
BEFORE AND AFTER: Engels statue in Ukraine (inset) and its arrival in Manchester
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
IN 2017, Turner Prize-shortlisted artist Phil Collins displayed a statue of Friedrich Engels he’d brought from Ukraine to Manchester in a ceremony at the close of the city’s international festival.
Manchester is the city where Engels spent 20 years of his life and wrote his classic work The Condition of the Working Class in England, but which had no monument in the city centre to commemorate that fact.
Collins shot the whole project and his hour-long film Ceremony: the Return of Friedrich Engels not only documents the transportation of the statue but intercuts it with scenes from working-class life in present-day Manchester.
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