Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Malian masters in exhilarating form
PIC CAP Captivating: Bassekou Kouyate
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Bassekou Kouyate and Ngoni ba
Subterranea, London
WITH THE demeanour of complete paternal authority over proceedings, Bassekou Kouyate cuts the figure of a tribal elder centre stage — until his wife Amy Sacko sings. The audience gasps at her vocal range and crystalline delivery across ascending scales.
She's very much a focus of this family line-up, with Kouyate's son Madou on bass, Abou Sissoko on medium ngoni, Moctar Kouyate on calabash and Mahamadou Tounkara — the clown in the outfit — on doundoun, yabara and tama.
More from this author
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
