GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Jenny Hval Milton Court Concert Hall, London
Weird and sometimes wonderful concepts from the performance artist
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
A FAR cry from her last horror-flick and menstruation-inspired 2016 album Blood Bitch, Norwegian artist Jenny Hval’s latest release The Practice Of Love is a poetic homage to all things amour through the prism of 1990s trance music.
High concept: Jenny Hval
With this concept in mind, entering the intimate Milton Court to find Hval in a tent onstage is somewhat bemusing.
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