EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Counting and Cracking
Birmingham Rep
FRESH from the Edinburgh Festival and bearing plaudits and awards from its homeland, this multinational production from Australia is a tale of reconnecting with one’s roots however painful and traumatic they may be.
Focusing largely but not exclusively on Sri Lankan immigrants to Australia, this sweeping epic spans three generations from 1956 post-colonial Ceylon and the rise to dominance of the Sinhalese community through the 1970s Tamil Tigers’ insurgence and the wave of suffering and forced migration that ensued up to 2004 and a first-generation Australian youngster alienated from his family’s history, language and culture.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective



