DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
Ernesto: The Untold Story of Hemingway in Revolutionary Cuba
Revealing account of the writer's abiding love for the island and its people
At home: Hemingway in Cuba, 1950
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
A novel by Mexican Juan Pablo Villalobos, poetry by Mexican Ingrid Bringas, and a biography by Argentinian Mercedes Halfon
CHE GUEVARA is not the only Ernesto to have carved out a lasting place in Cuban culture. Another foreigner who spent much of his life on the island — Ernest Hemingway — is also held in high esteem.
As Andrew Feldman recognises in his book Ernesto, a considerable proportion of Hemingway’s work, such as the novels that led to him winning the Nobel Prize in Literature, was heavily influenced by the 30-plus years he spent as a visitor and resident in Cuba.
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