MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
Equestrian sculptures of Manuel Rodriguez in Chile and Jose Gervasio Artigas in Uruguay
Innovatory tributes to leaders of popular rebellions
(L to R) Manuel Rodriguez; Jose Gervasio Artigas Pic: Kees van Tilburg/equestrianstatue.org
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
WHILE equestrian statues are probably the most ubiquitous of all public monuments in Western towns and cities, their aesthetics are predictably formulaic.
Three or four standard formats are replicated ad nauseam and most are offensive examples of wars waged by the rapacious elites of any given country.
Roman emperor-philosopher Marcus Aurelius, whose 2,000-year-old equestrian statue is the oldest complete one in existence, is without armour or weapons as befits a supposed bringer of peace.
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MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
