JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media

THE GOOD LIARS by Anita Frank (HQ, £16.99) takes place a couple of years after the end of World War I, when the Stilwells of Darkacre Hall can only dream of the life they knew before.
Once respected and deferred to, today they are openly shunned by the villagers. They live a lifeless existence, bound to each other by shameful secrets and mutual mistrust.
The difficulty of hiring servants means they are even reduced to answering their own doorbell — an especially distasteful task when the visitor is a detective asking impertinent questions about the summer of 1914.

Edinburgh can take great pride in an episode of its history where a murderous captain of the city guard was brought to justice by a righteous crowd — and nobody snitched to Westminster in the aftermath, writes MAT COWARD


