Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
HOW to describe The Hand That Feeds You by Mercedes Rosende (Bitter Lemon Press, £9.99) without resorting to listing its startling events and extraordinary characters? It’s about an armed robbery in Montevideo, in which the people being robbed are armed robbers. It’s a crime caper, a literary novel, a condensed family saga, a comedy and a satire. It’s also a thriller, in which the importance of momentum in the plot is never neglected.
I’m reluctant to say more since it’s perhaps the sort of book you’re better coming to without too much forewarning. I haven’t read anything like this in ages, and I loved every page.
Fatal Proof (Abacus, £20) is the fourth book in John Fairfax’s courtroom drama series featuring Will Benson and Tess de Vere. Will is the convicted murderer who studied law inside and became a barrister on his release, and Tess is the lawyer who believed in his innocence right back at the start, when they were both little more than kids, and has worked with him since he got out.
CAL McBRIDE relishes the lyrical truth of an unstable identity in an over-tidy and conventional social realist treatment
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
Timeloop murder, trad family MomBomb, Sicilian crime pages and Craven praise


