JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
Crime fiction
Reviews of Good Neighbours by Sarah Langan, The Basel Killings by Hansjorg Schneider, The Final Girl Support Group by Grady Hendrix and The Crooked Shore by Martin Edwards

SUBURBS in US fiction are often sinister places, but few more so than that at the centre of Sarah Langan’s Good Neighbours (Titan, £8.99).
Maple Street is an aspirational satellite of Long Island, and the Wilde family don’t fit in there and know it. Their accents strike their new neighbours as plebeian, their habits unsettling and their children undisciplined.
But that might not be enough on its own to cause a season of spiralling mayhem if it wasn’t for the sinkhole that opens up in the neighbourhood one dry summer.
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