GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
Latest editorial
A convoluted ‘shaggy dog story’
A book that will be relished by those who can’t wait for another socialist nightmare story, suggests JOHN GREEN
TORTURE BY POETRY’: GROMA Kolibri typewriter, Made in East Germany, c1956
[Pic: Sommeregger and Stasi logo jgaray both Creative Commons] 
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
The Stasi Poetry Circle: The Creative Writing Class that Tried to Win the Cold War
By Philip Oltermann
Faber & Faber £14.99
PHILIP OLTERMANN is the Guardian’s German correspondent and is clearly keen to jump aboard the gravy train of Stasi horror stories. In discussing this latest “Stasi revelation” book, it is difficult to know where to start in terms of trying to discover factual nuggets buried beneath the huge slagheap of fabulation.
In researching his book, Oltermann takes the easy seam, already well mined by his forerunners. He plunders the “Stasi Archives” to investigate the story behind a poetry circle set up by members of the GDR’s Ministry of State Security (MfS) or, in Western jargon, “the Stasi.”
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