MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray
Bordering on the brilliant
MARIA DUARTE sees a breathtakingly surreal Scandi-noir fantasy
The Bard commutes to work for the first time in 45 years
GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead
GEORGE FOGARTY relishes the music of black British artists that channels Carribbean, Latin and club sounds, along with contemporary west African radicalism
CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
Border (15)
Directed by Ali Abbassi
THIS is one of those rare films that the less you know about beforehand the better so that you can experience its breathtaking uniqueness and ingenuity. It’s one of the most surreal films of the year and takes Scandi-noir fantasy to a whole new bizarre level.
It’s based on the short story Grans by John Ajvide Lindqvist — who wrote Let the Right One In — and like the latter, Border plays around with the genre, providing plenty of surprises.
The film centres on Tina (an extraordinary Eva Melander), a Swedish customs guard who can literally sniff out fear and guilt on those crossing the border.
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