APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power
Book Review: Working Aesthetics: Labour, Art and Capitalism
Danielle Child's book tackles the neoliberal penetration of artistic production from a Marxist perspective
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
ANGUS REID recommends a uniquely accomplished documentary collage that contemplates our relation to the natural world
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
Working Aesthetics: Labour, Art and Capitalism
by Danielle Child
(Bloomsbury, £21.99)
UNUSUALLY for a young art historian, Danielle Child bases her discussion of the relationship between contemporary art, labour and capitalism on the “Marxian” ideology that art, as part of the superstructure, is defined by its economic base.
Focusing mostly on US and British art, where neoliberalism has been strongest, she argues that its managerialist, fragmented, individualised and precarious working models are mirrored by new artistic practices since the 1990s.
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