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Blinkers on a dissenting view
Peter Kennard is a brilliantly polemical artist yet his new book reveals the inadequacies of his political perspective, says NICK WRIGHT
LEO BOIX reviews a novel where shadows deceive and mortality looms, and a poetry collection that refuses to dim
ROBIN STYLES welcomes a boundary pushing work of fiction exploring the life and ideas of the godmother of modernism
PAUL DONOVAN recommends an energetic adaptation of Ken Kesey’s novel, that emphasises how psychiatry is a tool in the hands of a racist agenda
ED WAUGH introduces a special event to commemorate the centenary of the 1926 General Strike
Reviews of Charlotte Cornfield, Michael Weston King, and Gun Outfit
Peter Kennard: Visual Dissent
by Peter Kennard
(Pluto Press, £19.99)
“IT IS not surprising that photomontage is associated particularly with the political left, because it is ideally suited to the expression of the Marxist dialectic.”
Thus wrote Dawn Ades in her authoritative 1976 book Photomontage, the revised edition of which carries commentary on two of Peter Kennard’s most distinctive assemblies — the 1980 Haywain with Cruise Missiles and his frightening 1982 photomontage Defenders to Death.
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