MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
PLAYING all nine characters in Oscar Wilde’s The Importance of Being Earnest at the tiny Tara Theatre in London, Kudzanayi Chiwawa and Ayesha Casely-Hayford took such liberties with its content and structure that one might have expected the whole venture to fall apart.
Yet the play was so lovingly bashed about that it came through the ordeal with flying colours, as did the pair themselves.
Operating within a minimalist set and dressed only in white T-shirts and black trousers, Chiwawa and Casely-Hayford offered up a deliberately unruly interpretation of Wilde’s farcical goings on, blurring time, space and boundaries in a way that added an extra dimension to the humour.
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying


