PETER MASON is gripped by a novel that confronts corporate callousness with those prepared to act to bring about change
Best of 2019: Theatre
John Kani's Kunene and the King, set in post-apartheid South Africa, was a highlight of the year
THERE is always a place for skilful modern treatments of the classics and Tom Morris’s production of Cyrano de Bergerac, adapted by Peter Oswald, bubbled with a sparky contemporary wit.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football



