KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
Best of 2019: Theatre
John Kani's Kunene and the King, set in post-apartheid South Africa, was a highlight of the year
Mirror to life: John Kani and Anthony Sher in Kunene and the King
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
THERE is always a place for skilful modern treatments of the classics and Tom Morris’s production of Cyrano de Bergerac, adapted by Peter Oswald, bubbled with a sparky contemporary wit.
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GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
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GORDON PARSONS recommends an ideal introduction to the writer who was first to give the English a literary language
