RITA DI SANTO assesses the winners of the most politically charged festival to date
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Ambitious plays in need of directorial editing
(L to R) Jade Ogugua as Vi, Joe Barber as Laurie and Tim Treloar as Mick
[The Other Richard]
KATARZYNA KOSMALA introduces a retrospective by one of the most significant figures in contemporary US photography
MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
New releases from Sam Carter, Spell Songs and Les Thomas
O, Island
★★★
Ivy Tiller, Vicar’s Daughter, Squirrel Killer
★
The Other Place
Stratford-Upon-Avon
THE post-Covid re-emergence of the RSC’s Mischief Festival in its Stratford studio theatre, designed to introduce new writing, features a double bill of two ambitious short plays full of topical references, both in need of directorial editing.
O, Island by Nina Seagal is a dystopian parable set in a Home Counties village not a million miles from Ambridge, isolated by river floodwaters.
It moves from knock-about comedy, with the local Tory MP determined at all costs to snatch a publicity photograph of his heroic rescuing performance, being rejected by the villagers, who establish an independent islet state led by the articulate, grandmotherly Margaret.
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Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship