ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Album reviews with Mik Sabiers: April 19, 2022
New releases from Tears For Fears, Blood Red Shoes, and The Mysterines
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
Tears For Fears
The Tipping Point
(Concord)
★★★★
SYNTH pop rock stalwarts Tears for Fears’ seventh studio album has been a long time coming — 18 years to be precise — and it is a welcome return.
Songs range from heartbreak — title track The Tipping Point is about the death of joint singer/guitarist and chief songwriter Roland Orzabal’s first wife — to smashing the patriarchy; Break The Man is about a woman taking control and making the world a better place.
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