GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Bardo, False Chronicle of a Handful of Truths
MARIA DUARTE recommends a visually arresting and intimate portrayal of one man’s return to his roots
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CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
Bardo, False Chronicle of a Handful of Truths (15)
Directed by Alejandro G Inarritu
FOUR-TIMES Oscar-winning film-maker Alejandro G Inarritu’s follow-up to The Revenant is an intimate and personal yet ambitious and visually mind-blowing homage to his Mexican roots and his country.
This is a shortened (by 24 minutes) version of the original film that was shown in Venice, which feels like a never-ending lucid dream, by the end coming full circle, reminiscent of Denis Villeneuve’s Arrival.
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