The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
A banquet of provocative film-making
RITA DI SANTO salutes the political choices made by the departing directors of this year’s Berlin Film Festival
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
THE Berlin Film festival jury got it right awarding the Golden Bear to Dahomey, a film that engages deeply with key topics of our time, but also displays a distinctive, humane cinematic style.
When it showed early in the festival, it had the look and smell of a Berlinale winner; an extraordinary hybrid of fiction and documentary in which Senegalese director Mati Diop gives voice to statues, allowing them to tell their own story.
The statues are 26 royal treasures stolen by French soldiers in 1892 and finally given back to the west African country of Benin in 2021. The supervisor touches the objects, made from wood and metal, with extreme care, while the people of Benin are exalted about their arrival.
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