MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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Film round-up: October 24, 2024
Colonial plunder goes home, chilly euthanasia, transsexual drug baron and venom’s end: The Star's critic MARIA DUARTE reviews Dahomey, The Room Next Door, Emilia Perez and Venom: The Last Dance
round up
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
Dahomey (PG)
Directed by Mati Diop
★★★
WINNER of the coveted Golden Bear award at this year’s Berlinale, Dahomey is an immersive and haunting work from co-writer director Mati Diop which explores the effects of colonisation, appropriation, self-determination and restitution.
It follows the return in November 2021 of 26 royal treasures from the Kingdom of Dahomey by the French government. They were among thousands of others plundered by French colonial troops in 1892.
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