MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians
The bard recalls the Seething Wells, and how the old anti-fascist fight is back again

This is my response to events in London last Saturday.
NEVER AGAIN — AGAIN
Lewisham 1977 was my first one
in a van from Brighton with the Vaultage crowd
The Front said they’d kick their way
into the headlines
and they met their match at Clifton Rise.
The RAR carnivals showed our strength
then Thatcher stole the NF’s clothes
in the 1979 election
with talk of being ‘swamped’
by an ‘alien culture’
(spawning a great British Asian
punk band
called Alien Kulture)
and the battlegrounds became gigs
and football.
Looking back, it’s incredible —
knowing that there was
going to be trouble
BEFORE you got to the gig
Staring at the rude boys
staring at the boneheads
in a town called malice
the ‘No Pub is a Nazi Pub’ gig
at Skunx, Islington in ‘82
where my mandolin met my head
and Pixie saved my arse
from a fascist gang
and arguing with Ian Stuart
from Skrewdriver
in the middle of one of
Black Flag’s earliest gigs
at the Hundred Club.
And there was much more —
countless trouble
at gigs big and small
from the South East to the North West.
A lot of brave folk stood up and were counted
a lot of battles were won
and the spectre retreated
of course it never went away
but it had lost its street power
and we thought ‘never again’
meant just that.
More fool us.
Now it’s back
in a different guise
with the same old scapegoats
and the same old lies
for the same old reasons
divide and rule —
rule by billionaires
for billionaires —
but now they haven’t just got
leaflets and posters
they have their own video channels
and social media ads
funded by billionaires
it’s a different world
a different time
and a different generation
has to step up to the mark now
It breaks my heart
and makes me so angry
Never again
Again
And I’m staying in the 1980s for the rest of this column.
Next Thursday, at the legendary 1 in 12 Club in Bradford, his adopted home town, I shall be doing a tribute to my partner in ranting verse through much of the 80s: the late, great Seething Wells. It is something I have wanted to do for years.
Swells was a force of nature, had a personality so close to mine we could have been twins, was one of the cleverest, funniest, most lovable and most annoying people I have ever met, and I still miss him loads 16 years after his departure from this Earth.
I did my first gig as Attila the Stockbroker on September 8 1980, and a while later, having done a few more around the country, I got a letter from someone called Seething Wells who said that he was part of a collective of Bradford poets called the Ranters, named in tribute to the iconoclastic anti-Puritan 1649 sect led by Abiezer Coppe. That was that. I immediately started the southern branch of the Ranters and got to work organising a gig for the two of us in partnership.
We met for the first time on a Saturday in November 1981, shouting poetry of the back of a lorry at a Right To Work march in Woolwich. That night legendary beat poet and impresario Michael Horovitz was hosting one of his Poetry Olympics events with Paul Weller headlining: we gatecrashed it, Michael gave us five minutes each, we stormed it, got a review from then editor Neil Spencer in the NME, Weller offered us a support slot with the Jam at the Hammersmith Odeon — and a ranting poetry double act was born.
We did loads of gigs together. Red Saunders from RAR recorded one and put out an EP — Rough Raw & Ranting — Swells on one side, me on the other. John Peel played it loads: it got me a deal with Cherry Red Records and really kickstarted things for me. Then Allen & Unwin did a book featuring poems from us both, The Rising Sons Of Ranting Verse.
But by then Swells was on a different path. He became a music journalist (as Steven Wells) as roaring and sharp in print as on stage. He wrote for NME, became notorious, started a video production company, then a publishing company, fell in love, moved to Philadelphia, carried on doing his thing, we stayed in touch — and there he died, aged 49, in 2009.
We did so many gigs together that even after 40 years I still know some of his poems by heart, and I’ll be doing them in his memory. I still miss him.



