APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power
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Attila the Stockbroker Diary: June 28, 2024
Armed with helpful visual aids, the bard campaigns furiously against sewage both literal and metaphorical
FLUSH THEM OUT: Attila joins the Clacton anti-sewage movement
[John Bain]
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
ANGUS REID recommends a uniquely accomplished documentary collage that contemplates our relation to the natural world
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
WRITING this in Walton-on-the-Naze, part of the Clacton constituency, after a very busy day last Thursday.
It all began early afternoon, hanging round for ages next to Worthing Pier alongside Labour comrades from both our local constituencies, East Worthing & Shoreham and Worthing West, waiting for Feargal Sharkey.
Feargal was the singer of the legendary Undertones, whose single Teenage Kicks I must have played at least 50 times during my 14-year tenure as stadium announcer and DJ at Brighton & Hove Albion. His quavering vocal style was unique and brilliant, making him one of the greatest punk vocalists of all time.
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