JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
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Intimately crafted and strangely beautiful
This week IAN SINCLAIR reviews albums by Hilary Woods, Father John Misty, and Jakob Bro
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
EWAN CAMERON witnesses a political farce that lacks a clear message
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
Hilary Woods
Colt
(Sacred Bones)
★★★★
PREVIOUSLY the bassist in the now defunct Irish alternative rock band JJ72, Hilary Woods spent her twenties juggling motherhood with art school. Music slowly crept back into her life, resulting in the deeply impressive Colt, her debut solo album.
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