STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Album reviews with Ian Sinclair: October 28, 2019
Latest releases from Jim Sullivan, Bill Frisell and Paradise of Bachelors
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Itasca
Spring
(Paradise of Bachelors)
★★★★
LOS ANGELES-BASED musician Kayla Cohen, who records under the moniker Itasca, wrote her seventh album in an old adobe house in New Mexico, having retreated there for two seasons partly in response to the election of Donald Trump.
Inspired by the history and distinctive landscape of the region, the organic folky ballads on Spring constitute a set of impressionistic, sun-dappled travelogues.
Accompanied by members of Gun Outfit, Bitchin’ Bajas and James Elkington, Cohen’s hushed vocals beautifully meld with her terrific acoustic guitar strumming, piano, discreet strings and the occasional lap steel guitar.
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Detailing the deluge of delusion and dishonesty pushed by the pro-war camp, IAN SINCLAIR identifies four key tactics corporate journalists use to confuse audiences and suppress opposition to the proxy war in the east
New releases from Black Country, New Road, Anouar Brahem, and Jaywalkers
