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Album review: Nightscapes for Harp
SIMON DUFF salutes a triumph of soul, intellect and the mysterious surreal night
RON JACOBS recommends a book that charts the disparate circumstances that defined the lives of two prominent black Afro-Americans — one a communist, the other an anti-communist
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
SYLVIA HIKINS welcomes a survey of successful contemporary worker co-operatives and economy-based co-operative systems
DAVID NICHOLSON recommends the staging of this Wagnerian classic minus one or two insignificant quibbles
JOHN GREEN relishes the record of a life well lived in the service of the fight for justice and socialism
Magdalena Hoffmann
Nightscapes for harp
(DG)
5*
GERMAN harpist Magdalena Hoffmann’s Deutsche Grammophon debut album for solo harp is inspired by notions around different nightly landscapes.
A special time for all human beings and a very good time for music and dancing, the Nocturne over the ages. Chopin and John Field at the heart of the album, that comprises both original pieces for solo harp and compositions for piano, transcribed by Hoffmann herself, who portrays a multitude of nightscapes, from those seen to those known by intuition.
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