Skip to main content
Advertise Buy the paper Contact us Shop Subscribe Support us
Holloway letters
by Emma Must

What She Was In For

You learn not to ask ‘What are you in for?’
but what she was in for was parking on the road
outside her house to get her kids inside
before she’d find a space to leave the car.
And what she was in for was passport fraud:
she’d made it here over several seas,
her dignity locked in a single plait.
And what she was in for was possession.
And what she was in for was being poor,
unable to pay for her TV licence.
And what she was in for was her son,
doing time for his non-payment of a fine.
She’ll tell you soon enough, in passing.
It’s the one thing you should never ask.

Bird

It’s the one thing you should never ask,
besides ‘Please could you turn your radio off?’
It’s on 3pm to midnight without a break,
and LOUD. I try asking her to turn it down.
It’s not turned up, she says, she’s doing
a long sentence and it’s the only thing
that is keeping her sane. It’s driving
me mad, I say, and I can’t get out.
If I’d known back then about St Kevin,
I might have had a go at sticking my arm
out the window, turned my palm to heaven,
and waited till a blackbird chanced to nest.
It’s not that the pain would have brought me rest,
but that we hold small hopes in our own hands.

Emma Must is a poet living in Belfast who was imprisoned in Holloway prison in the summer of 1993 for breaking an injunction which attempted to stop campaigners walking on Twyford Down. She wrote 13 sonnets for the 13 days they were there: above are two of them, the whole set are titled Holloway Letters (The Martyr’s Crown).

Ad slot F - article bottom
More from this author
Gig Review / 6 October 2024
6 October 2024
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
Interview / 15 March 2024
15 March 2024
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Theatre review / 22 February 2024
22 February 2024
ANGUS REID mulls over the bizarre rationale behind the desire to set the life of Karl Marx to music
Theatre Review / 16 February 2024
16 February 2024
ANGUS REID applauds the portrait of two women in a lyrical and compassionate study of sex, shame and nostalgia
Similar stories
21st Century Poetry / 17 June 2024
17 June 2024
by Jemima Foxtrot
21st Century Poetry / 5 June 2024
5 June 2024
RUTH AYLETT recommends a new collection that is direct and open to all, both conversational and radical
21st Century Poetry / 30 April 2024
30 April 2024
ALISTAIR FINDLAY recommends a collection of interviews with 15 award-winning poets discussing how their initial drafts became the finished poem
21st Century Poetry / 14 April 2024
14 April 2024
by Merryn Williams