RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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‘We are looking at spiritual affinities and how these liberate and at the same time transcend the political’
CHRIS SEARLE speaks to South African pianist NDUDUZO MAKHATINI
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
NDUDUZO MAKHATINI is an extraordinary pianist. Born in Umgungundlovu, Pietermaritzburg, South Africa in 1982, his musical universe carries the spirits of his Zulu ancestry, engendered through his piano studies at Durban University of Technology and his doctoral research at the University of Stellenbosch.
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