In a season of Greek mythology NIAMH THORNTON looks at an intriguing relocation of Medea to contemporary Mexico
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‘Before each concert, we gathered in a circle with our heads together and felt aligned, making a sound’
CHRIS SEARLE speaks to Panamanian pianist Danilo Perez
Danilo Perez
[Tito Herrera]
By chance, RENATA MEDEIROS MIRRA comes across a fine new two hander about the enduring legacy of the Miners' strike
Rescue care from the realm of sentimentality: what happens when we replace the vertical relationship between benefactor and victim with interdependence, collective organisation and struggle?
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ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
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Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
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In October 2014, the giant Newark, New Jersey-born tenor and soprano saxophonist Wayne Shorter (1933-2023) played one of his final concerts in Stockholm Concert Hall. This has now been released as Celebration: Volume 1. His longstanding superfine quartet-mates, bassist John Patitucci, drummer Brian Blade and the insurgent Panamanian pianist, Danilo Perez, were with him.
I ask Perez about his own life in music, and the impact upon it by the great Wayne.
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