ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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‘Before each concert, we gathered in a circle with our heads together and felt aligned, making a sound’
CHRIS SEARLE speaks to Panamanian pianist Danilo Perez
Danilo Perez
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
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PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
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DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
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In October 2014, the giant Newark, New Jersey-born tenor and soprano saxophonist Wayne Shorter (1933-2023) played one of his final concerts in Stockholm Concert Hall. This has now been released as Celebration: Volume 1. His longstanding superfine quartet-mates, bassist John Patitucci, drummer Brian Blade and the insurgent Panamanian pianist, Danilo Perez, were with him.
I ask Perez about his own life in music, and the impact upon it by the great Wayne.
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