MARIA DUARTE picks the best and worst of a crowded year of films
‘Before each concert, we gathered in a circle with our heads together and felt aligned, making a sound’
CHRIS SEARLE speaks to Panamanian pianist Danilo Perez
Danilo Perez
[Tito Herrera]
STEVE JOHNSON picks his favourites from the many memorable albums of the year, and one stunning new festival
SIMON DUFF picks his favourites, from radical African-inspired electronic rhythms to improvisations on the organ
For GORDON PARSONS, a dramatic exploration of the abuse of young men at Medomsley Youth Detention Centre trumps Beckett, a couple of Hamlets and a bracing Candide
From feminist manifestos to exiled lovers to mythic islands, LEO BOIX selects the best fiction, poetry and non-fiction
FIONA O’CONNOR picks books and films that show defiance in the face of violence and injustice
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In October 2014, the giant Newark, New Jersey-born tenor and soprano saxophonist Wayne Shorter (1933-2023) played one of his final concerts in Stockholm Concert Hall. This has now been released as Celebration: Volume 1. His longstanding superfine quartet-mates, bassist John Patitucci, drummer Brian Blade and the insurgent Panamanian pianist, Danilo Perez, were with him.
I ask Perez about his own life in music, and the impact upon it by the great Wayne.
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