RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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‘Because of the Second Intifada and lack of violin teachers the cello became an alternative’
CHRIS SEARLE speaks to jazz cellist NASEEM ALATRASH of the IZE Trio
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
IT’S quite an album this, by the cosmopolitan IZE trio. Just consider its four titles, with the first track called Break G4S “On Capitalism”; the second, Resurrecting The Amber Sky “On Environmentalism”; the third All Loved “On Immigration”; and the fourth Elemeno, “On Education”.
The trio are San Diego, California-born pianist Chase Morrin, Cyprus-born percussionist George Lernis and Palestinian cellist, Naseem Alatrash. I asked Naseem about his life in music and the story behind the trio’s album, The Global Suites.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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