CATHERINE STEEL relishes a compelling novel about Augustus’s right hand man, but misses the politics, the cultural shifts, and more detail about his restoration of Rome
When the Celtic Connections festival began in 1994 few would have predicted that from its relatively modest beginnings it would transform into the vibrant celebration of traditional Scottish music and international folk, roots and world music that it has undoubtedly become.
As well as showcasing some of the most talented performers in Scotland and internationally, it’s underpinned by an education programme which sees thousands of local schoolchildren attending free morning performances of live music and it fosters new young talent through its Young Tradition and New Voices concerts and an open stage competition.
Artistic director Donald Shaw suggests that for some parts of the world “music is the best hope of bringing people together,” and that’s no empty statement — this year acts are as international as they come, from Van Morrison to Congo’s Konono No 1.
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over



