The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Marxist notes on music: January 22, 2023
Time to celebrate Gustav Holst, an innovator who helped bring brass band instruments into the orchestra and wrote for working-class musicians
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
GUSTAV HOLST is a composer who is one of the most obvious demonstrations of a composer known almost entirely for one work — The Planets Suite. Written 1914-17, the composition is a tour-de-force, which sadly is often overlooked because of the likes of Classic FM and others focusing purely on the barn-stomping movement Mars and Jupiter.
On September 21 we will celebrate the 150th anniversary of his birth and for me a high point as he has had a wonderful influence on me throughout my life, particularly when I reflect on what it means to be an English composer.
I got my foundational musical education through brass banding. It was also colliery bands where I learnt a lot of my politics too — chatting to the old boys about their experiences during the ’84-85 strike and other union struggles.
More from this author
BEN LUNN draws attention to the way cultural expressions of solidarity with Palestinians in the UK are being censored by Israeli-sponsored lawfare
BEN LUNN reports from a new music festival in New York, and singles out a breathtaking composition that protests directly against femicide in Mexico
The centenary of his birth is a chance to assess the remarkable combination of Marxism, activism and modernism in the works of Luigi Nono
As the debate around voluntary euthanasia returns, we now have some seriously disturbing evidence from those places where it has become recently legalised to convince us that Britain is not ready, argues BEN LUNN
Similar stories
WILL STONE relishes the subtle demonstations of political awareness that accompany two standout performers at Brighton’s Mutations festival
MAT COWARD unearths Gustav Holst’s radical roots, from meetings at William Morris’s house to pamphlet-printing and agitation with the Red Vicar of Thaxted — and laments that he is remembered today for the entirely wrong reason
CHRIS SEARLE speaks with veteran tenor saxophonist RICKY FORD
GORDON PARSONS is thrilled by the dramatisation of the relationship between a gay composer and his unmarried female assistant