Employment lawyer ALICE BOWMAN warns ‘day one rights’ include an undefined ‘initial period’ and the zero-hours contract fixes create baffling fixed-term loopholes. If the Bill doesn’t work properly and deliver, Labour is doomed
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Holst: the socialist composer and his (accidental) patriotic smash hit
MAT COWARD unearths Gustav Holst’s radical roots, from meetings at William Morris’s house to pamphlet-printing and agitation with the Red Vicar of Thaxted — and laments that he is remembered today for the entirely wrong reason
MILITARIST ANTHEM:
I Vow to Thee, My Country is performed at the commissioning ceremony for the Royal Navy warship HMS Queen Elizabeth
The protests against the US presidential visit are over, but the public probably doesn’t know that new US nuclear bombs are now stationed here, putting us all in danger — we have to raise awareness and get them out, writes CND’s KATE HUDSON
In a speech to the 12th Xiangshan Forum in Beijing, SEVIM DAGDELEN warns of a growing historical revisionism to whitewash Germany and Japan’s role in WWII as part of a return to a cold war strategy from the West — but multipolarity will win out
CLAUDIA WEBBE argues that Labour gains nothing from its adoption of right-wing stances on immigration, and seems instead to be deliberately paving the way for the far right to become an established force in British politics, as it has already in Europe
DENNIS BROE gives an update on the last week of anti-austerity protests against the Macron regime, which has seen the supposedly more right-leaning Gilets Jaunes join with the unions and the left
JOHN PERRY and FRANCISCO DOMINGUEZ unpack the latest propaganda attack on Nicaragua, explaining how a clearly biased, US-backed regime-change NGO used a totally unrepresentative sample and survey methodology to get a ridiculous result
LEADER of the Can’t Sing Choir, pioneer of musical education for women, close collaborator with the notorious Red Vicar of Thaxted, involuntary composer of I Vow to Thee, My Country, and composer of Britain’s most recorded piece of music ever, Gustavus von Holst was born in Cheltenham on September 21, into a family of musicians and music teachers.
In his teens, he was employed as an organist and choirmaster. Physical frailties forced him to abandon the piano and take up the trombone instead. Earnings from that financed his studies in composition.
Except for one or two brief sabbaticals, paid for by wealthy patrons, Holst never worked as a full-time composer. To the very end of his life, he taught music at private schools, and for much of it, he was variously a trombonist in orchestras and theatres, college lecturer, church organist and choir leader.
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