JOE BESWICK of the London Renters Union talks to the Morning Star’s new Left on Record programme
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Holst: the socialist composer and his (accidental) patriotic smash hit
MAT COWARD unearths Gustav Holst’s radical roots, from meetings at William Morris’s house to pamphlet-printing and agitation with the Red Vicar of Thaxted — and laments that he is remembered today for the entirely wrong reason
10 - I vow to thee
The unnecessarily violent police intervention at a Quaker place of worship is a PR disaster and will only serve to deepen the chasm between them and the public. SYMON HILL reports
ANDREW MURRAY wonders whether recent opinion polling and a fresh local authority by-election result in Ilford are an indication that the time is ripe for the left to make inroads
Due to the actions of this government, the challenges facing those with disabilities, such as spinal cord injuries, are nigh on insurmountable, argus RUTH HUNT
General secretary of the General Federation of Trade Unions GAWAIN LITTLE calls for support and participation in the national partnership organised to celebrate the 100th anniversary of the 1926 general strike
After brutal police crackdowns on pensioners and the forced approval of secret IMF deals, trade unions are finally responding to grassroots pressure and fighting back against savage neoliberal reforms, reports BERT SCHOUWENBURG
Bizarrely, Trump’s latest attacks now include the National Zoo, but his real and racist agenda is to strip everything black from the country’s cultural institutions, writes LINDA PENTZ GUNTER
LEADER of the Can’t Sing Choir, pioneer of musical education for women, close collaborator with the notorious Red Vicar of Thaxted, involuntary composer of I Vow to Thee, My Country, and composer of Britain’s most recorded piece of music ever, Gustavus von Holst was born in Cheltenham on September 21, into a family of musicians and music teachers.
In his teens, he was employed as an organist and choirmaster. Physical frailties forced him to abandon the piano and take up the trombone instead. Earnings from that financed his studies in composition.
Except for one or two brief sabbaticals, paid for by wealthy patrons, Holst never worked as a full-time composer. To the very end of his life, he taught music at private schools, and for much of it, he was variously a trombonist in orchestras and theatres, college lecturer, church organist and choir leader.
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