General secretary of the General Federation of Trade Unions GAWAIN LITTLE calls for support and participation in the national partnership organised to celebrate the 100th anniversary of the 1926 general strike
Latest editorial
Holst: the socialist composer and his (accidental) patriotic smash hit
MAT COWARD unearths Gustav Holst’s radical roots, from meetings at William Morris’s house to pamphlet-printing and agitation with the Red Vicar of Thaxted — and laments that he is remembered today for the entirely wrong reason
10 - I vow to thee
After brutal police crackdowns on pensioners and the forced approval of secret IMF deals, trade unions are finally responding to grassroots pressure and fighting back against savage neoliberal reforms, reports BERT SCHOUWENBURG
Bizarrely, Trump’s latest attacks now include the National Zoo, but his real and racist agenda is to strip everything black from the country’s cultural institutions, writes LINDA PENTZ GUNTER
The transformation of a stable secular state into a fractured ruin largely ruled by Western-backed fundamentalists exposes the hollow nature of ‘multipolarity’ and the absence of principled anti-imperialism today, writes ZOLTAN ZIGEDY
Facing economic turmoil, Jim Callaghan’s government rejected Tony Benn’s alternative economic strategy in favour of cuts that paved the way for Thatcherism — and the cuts-loving Labour of the present era, writes KEITH FLETT
The economic value of disability benefits far outweighs their cost, argues Dr DYLAN MURPHY
As tensions rise in the Middle East, the role of Iran in the region’s political balance becomes ever more significant. STEVE BISHOP assesses the current situation
LEADER of the Can’t Sing Choir, pioneer of musical education for women, close collaborator with the notorious Red Vicar of Thaxted, involuntary composer of I Vow to Thee, My Country, and composer of Britain’s most recorded piece of music ever, Gustavus von Holst was born in Cheltenham on September 21, into a family of musicians and music teachers.
In his teens, he was employed as an organist and choirmaster. Physical frailties forced him to abandon the piano and take up the trombone instead. Earnings from that financed his studies in composition.
Except for one or two brief sabbaticals, paid for by wealthy patrons, Holst never worked as a full-time composer. To the very end of his life, he taught music at private schools, and for much of it, he was variously a trombonist in orchestras and theatres, college lecturer, church organist and choir leader.
More from this author
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
A no-nonsense ex-Garda female cop, Scandi-noir’s newest flawed hero, the lure of Aussie gold, and unexpected decency in Silicon valley
MAT COWARD recalls the occasion when the first man in space paid a visit to our shores in 1961
It’s a dead easy crop to grow and can be made into one of Britain’s best sauces. MAT COWARD explains how
