EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Fatherland
Lyric Theatre, Hammersmith
STYLISH, slick and totally engaging, this exploration of father-and-son relationships grabs the audience from the outset.
Its visuals and sounds are a collage of impressions recorded from a series of interviews with men from the creators’ home towns of Corby, Stockport and Kidderminster and Simon Stephens’s script, jointly created with director Scott Graham and composer Karl Hyde, cleverly sets the play within the context of its development and questions its own premise, validity and even its title.
The interwoven interviews blend the mundane, funny and painful. Recollections of growing up are interlaced with violence and deaths alongside, literally, soaring moments of parental elation. The unarticulated nature of many father-and-son relationships is explored, highlighted and refined within the context of life in the post-industrial towns.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung



