DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
LAST September I reported on The World Transformed festival, organised by Momentum alongside the Labour Party conference in Brighton. Building on the commitments in the 2017 Labour Manifesto, it included several workshops on culture looking at what the elements of a radical culture policy might be.
That manifesto, clearly reflecting the personal vision of Jeremy Corbyn and his team, was a marked improvement on previous ones. He was the only candidate in 2015 to support the role of the arts in nourishing everyday creativity and its potential for political dissent.
The manifesto also backed policies to improve working-class access to culture, both as workers in creative industries and as spectators and consumers of culture.
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
Artists should not be consigned to a life of precarious working – they deserve dignity and proper workers’ rights, argues ZITA HOLBOURNE
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives


