In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
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Throwing a curveball
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Kelly Lee Owens
[Henry W Laurisch/CC] 
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
RON JACOBS rides shotgun with a member of Black Bloc on the wave of anti-capitalist protests of the 1990s and early 2000s
Kelly Lee Owens
Brighton Chalk
WELSH electronic artist Kelly Lee Owens used to be a nurse before pursuing music — a decision encouraged by her own patients, who recognised her talent. They were not wrong.
Since her 2017 eponymous debut album, she has become one of the most regarded and versatile female producers, collaborating with the likes of techno favourites Daniel Avery and Jon Hopkins, Velvet Underground founding member (and fellow Welsh native) John Cale, and Norwegian avant-garde artist Jenny Hval.
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