MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
Latest editorial
Throwing a curveball
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
KLO
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
Kelly Lee Owens
Brighton Chalk
WELSH electronic artist Kelly Lee Owens used to be a nurse before pursuing music — a decision encouraged by her own patients, who recognised her talent. They were not wrong.
Since her 2017 eponymous debut album, she has become one of the most regarded and versatile female producers, collaborating with the likes of techno favourites Daniel Avery and Jon Hopkins, Velvet Underground founding member (and fellow Welsh native) John Cale, and Norwegian avant-garde artist Jenny Hval.
More from this author
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
WILL STONE overlooks the corn to find the beauty in the music of the Danish indie-pop oddities
