In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights

“THE Los Angeles megafire... began life as four separate fires... hydrants went dry, and the fire leaped from unprotected home to unprotected home until entire neighbourhoods went up, and the firefighters were forced to retreat.” The evacuation of the city was ordered. “The sound was deafening, a freight train roar. Trees candling, grasses smouldering,” noted one eyewitness.
This isn’t a news report about the fires that ravaged Los Angeles in January but a terrifyingly prescient passage from Stephen Markley’s astonishing 2023 novel The Deluge (Simon & Schuster, £17.99). Nearly 900 Bible-thin pages long, it’s a beast of a book. As well as being a blisteringly brilliant read, I can confidently say it’s one of the most important books I’ve ever read.
With the action stretching from 2013 to the late 2030s – Los Angeles burns to the ground in 2031 – Markley’s magnum opus follows a cast of characters as the United States and the wider world confronts the ever worsening climate and ecological crisis. There is Tony Pietrus, a curmudgeonly scientist trying to raise the alarm, charismatic climate activist Kate Morris, and Ashrin, a neurodivergent mathematician/government adviser, along with a radicalised eco-saboteur, an advertising executive, and an actor turned power-hungry religious zealot.

New releases from Cassandra Jenkins, Ryan Davis & the Roundhouse Band, and Case Oats

New releases from Paul Weller, Wet Leg, and Dino Saluzzi

At the very moment Britain faces poverty, housing and climate crises requiring radical solutions, the liberal press promotes ideologically narrow books while marginalising authors who offer the most accurate understanding of change, writes IAN SINCLAIR

New releases from Allo Darlin’, Loyle Carner and Mike Polizze