Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Eh? Aye! Definitely!
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
Second Cumming
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Eh? Aye! The Artwork of Lorna Miller
Glasgow School of Art
CLIMBING up Garnethill last week, I wandered past the Glasgow Film Theatre festooned with the flag of Palestine as protesters stood in solidarity with the workers within who had chosen to serve solidarity rather than the products of companies profiteering out of the Israeli state’s illegal occupation.
Their victory in persuading their employer to do the right thing came as a result of concerted action when it was at its most visible, during the Glasgow Film Festival.
Turning the corner to continue the climb onto Renfrew Street we are faced with the results of what happens when scrutiny fails. Appropriately enough, what remains of the once world-renowned Mackintosh building at the Glasgow School of Art remains under wraps.
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