CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
THERE is an early poem in Hans Magnus Enzensberger: New Selected Poems (Bloodaxe, £15) in which he explains why poets “do not tell the truth”:
“Because the thirsty man/does not give mouth to his thirst./Because proletariat is a word/which will not pass the lips of the proletariat... Because it is someone else,/always someone else,/who does the talking,/and because he/who is being talked about,/keeps his silence.”
It’s an issue to which Enzensberger has repeatedly returned — how do you use language to talk about things? How do you use words to tell the truth about language? How, in a noisy world, do you resist the temptations of silence?
From post-human revolution in Puerto Rico to trans poetics and queer mythmaking, these three books that imagine new ways of being together
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
Two inspring books — that’s your New Year’s musing from me on January 2 2026
ANDY CROFT rallies poets to the impossible task of speaking truth to a tin-eared politician


