JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
Latest editorial
A powerful meditation on the transitory nature of life
A murderous convention of crime writers, a hymn to nursing, a monster hunt, and robber baron capitalism
MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia
DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
Ghost Dances
Rambert
Alhambra Theatre
Bradford
THE WHOOPS and whistles from the audience are more commonly associated with a Little Mix concert than a dance production. At their best, however, there’s something pleasingly populist about Rambert.
The troupe’s latest mixed programme features two crowd-pleasers, the first of which is Itzik Galili’s A Linha Curva.
A joyful burst of samba, its coloured lights form a grid around which the 26 performers move.
Similar stories
SUSAN DARLINGTON swoons in the presence of a magnetic frontman
MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco