GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
THERE’S a full house for the last knockings of Faustus’s autumn tour, which has included a first visit to Germany, where an award for best folk album of 2017 generated a fair deal of recent interest.
The audience, mostly older than the three members of the band, lap up material from Death and Other Animals, the recording which delivered that German accolade.
There’s a fine rapport and easy musical understanding between Paul Sartin (violin), Saul Rose (melodeon) and Benji Fitzpatrick (guitar), borne not just of years on the road but of a mutual dedication to the integrity of what they are doing, in a group without an individual driving force. That’s easy to see in the division of labour, with each member sharing the load of storytelling, singing and general chit-chat, even at the merchandise stall during the break.

PETER MASON relishes a legend of Jamaican roots reggae still plying his trade with a large degree of spirit

PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco

PETER MASON is surprised by the bleak outlook foreseen for cricket’s future by the cricketers’ bible

PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river