Latest editorial
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
Lynne Walsh's theatre of the year
This thriller is a politically charged and morally complex dive into climate activism and police repression, judges JENNY FARRELL
Cat show killer, avenging the pawns, women hunt the Ripper, and running dry in the outback
The Bard reflects on sharing a bed, and why he wont go to Chelsea
MARY CONWAY applauds a new play that foresees the unscrupulous tactics of a future far-right minority government
RON JACOBS is moved to tears by an eloquent journal of heartfelt intensity and human portraiture
ROBERT OVETZ recommends a case study, from the University of Leicester, in their struggle against precarization, AI, privatisation, outsourcing, and work intensification in higher education
AN EVENTFUL year, with murders, kidnapped children, suicidal depression, lost souls and found loves.
Conor McPherson’s Girl from the North Country won standing ovations at the Old Vic, with its magical use of Bob Dylan’s finest songs.
This took many, including critics, by sweet surprise. There are always cynics claiming McPherson’s work lacks teeth and the hopeless floundering of hapless drifters in the liminal space of a flophouse or bar may not be to everyone’s taste, but this carried an emotional charge reminiscent of a Steinbeck or Miller.
More from this author
LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East
Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports
This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH
LYNNE WALSH previews the Bristol Radical History Conference this weekend
