Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Gore-filled Jacobean tragedy is a bloody mess
malfi
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
The Duchess Of Malfi
The Swan Theatre
Stratford-upon-Avon
MARIA ABERG’S 2014 production of John Webster’s Jacobean tragedy The White Devil demonstrated that she is at home with that writer’s blood-soaked, nightmare world. There is certainly no shortage of blood in her treatment of Webster’s great companion piece The Duchess of Malfi.
The final scenes involve the cast wading around and rolling in a lake of blood to such an extent that many in the audience must have worried about the RSC laundry bills.
Whereas her earlier production reminded us of an Italianate US gangster fiefdom, this slimmed-down version of Webster’s other major tragedy has no sense of any social context in which the inane cruelties take place.
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